Why is acknowledging both shared aspects of culture and individual cultural ancestry important? 

Weaving enables Brittney Walley to honor her ancestors while uplifting the present and future generations of her tribe. Through her family connections as a Nipmuc person, she works to examine what it means to be Nipmuc today.

“This basket is the second in a series of works entitled Different Footprints. The series showcases a combination of patterns and designs, symbolizing the beauty and power of different Peoples when they walk together. This basket features parallel lines and an eight-pointed star, which are characteristic of traditional Nipmuc pieces. Its moon phases contemplate the passage of time, pay homage to the various moons and ceremonies observed by Eastern Woodland Peoples, and tie into a water theme. The top pattern is a partial reproduction of a Mohegan bag from the seventeenth century.”

– Brittney Peauwe Wunnepog Walley

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Nipmuc Maker
Miniature Basket (1850-1880) Plain-woven ash and oak
Connecticut Museum of Culture and History collection
Nipmuc Maker
Covered Basket (about 1840)
Plain woven ash (?)
Gift of Albert C. Bates Connecticut Museum of Culture and History collection
A detail of the bag displaying a blue four directions start shape.
Mohegan Maker
Twined Hemp Bag (about 1650) from ARTIFACTS Journal (American Indian Archeological Institute) Fall 1982 Issue